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Amber Fort -
It is situated in Jaipur, the former capital of the Kachhwaha Rajputs on a hillside overlooking Maotha
lake. Its construction was started by Raja Man Singh I, army commander of Mughal Emperor Akbar in 1592 and was completed by Mirza Raja Jai Singh and Sawai Jai Singh, over a period of about two centuries. It is a classic fusion of Mughal and Hindu architecture, built in red sandstone and white marble. |
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The palace or the royal apartments lies inside the massive Amber fort complex with gateways, gardens, halls, stairways, pillared pavilions, temples and palaces. Some of the noteworthy architectural marvels in the complex are the 'Diwan-E-Khas', the 'Sheesh Mahal' and the 'Jai Mandir' with exquisite mirror work, the 'Diwan-E-Aam', the 'Sukh Niwas', the Shila Mata Temple and Kali temple and the well laid out garden the
'Kesar Kyari'. The fort is entered through the 'Dil-e-Aaram' Garden, laid out in the traditional Mughal style.
The emperors apartments lies on a higher terrace beyond a two tiered decorative gateway, 'Ganesh Pol, covered with elegant frescoes and pavilions having fascinating jali (Lattice worked) screens. The 'Jai Mandir' (hall of victory) has a glittering ceiling with mirror pieces on stucco and elegant inlaid panels.
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City Palace - In the heart of the old city of Jaipur, the City Palace occupies a large area, divided into a series of courtyards, gardens, and buildings. The outer wall was built by Maharaja Jai Singh II, but other additions are much more recent, some dating back to the beginning of this century. The palace is a wonderful blend of Rajasthani and Mughal
architecture.
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The centre of the palace, is the Chandra Mahal, or the Moon
Palace, which provides a fine view of the gardens and the
city. The ground and first floor of the Chandra Mahal, form
the Maharaja Sawai Man Singh Museum. The museum has an
extensive collection of art, carpets, enamelware and old
weapons. The paintings include miniatures of Rajasthani,
Persian and Mughal schools. The Mubarak Mahal, or the
Auspicious Palace, contains the textile section of the
museum.
The palace also houses the Diwan-e-Aam, or the hall of public audience, and
Diwan-e-Khas, or the hall of private audience. In the
Diwan-e-Aam, ornate pillars support the high ceilings. The walls, intricately painted with touches of deep red and gold, provide perfect mounts for immense medieval Afghan and Persian carpets. Miniatures from the Mughal and Jaipur schools, and Jai Singh's translations in Arabic and Sanskrit of the astronomical treatises of ancient scientists, are displayed in glass cases.
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Hawa Mahal - Built in 1799, the Hawa Mahal, or Palace of the Winds, is one of the major landmarks of Jaipur. This five storey building, which looks out over the main street of the old city, is a stunning example of Rajput artistry, with its pink semioctagonal and delicately honeycombed sandstone windows. |
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It was originally built to enable ladies of the royal household, to watch the everyday life and processions of the city. The palace was built by Maharaja Sawai Pratap Singh, and is part of the City Palace complex. There is, also, a small archaeological museum on the same site.
Jaigarh-Nahargarh Fort - Also known as the fort of victory, Jaigarh Fort is a rugged structure built in 1726 by Sawai Jai Singh. It was the royal treasury for several years. The fort is perched on a cliff and is surrounded by huge battlements with inside walkways offering stunning views on all sides.
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The World's largest cannon on wheel, Jaivan, is to be found here. Also of interest is the intricate water supply and storage system, which is considered a marvel of planning. The fort has its museum and provides some excellent view of Amber Fort. Situated in the north of Jaipur, the Jaigarh Fort has more or less same structure as of Amber Fort. The fort also houses a beautiful museum and gives breathtaking views of Jaipur below and Amber Fort. |
Looming beyond the hills of Jaigarh, is the awesome Nahargarh Fort, which provides a fabulous view of the city of Jaipur. Much of the old structures, are at present, in a rather decrepit condition, except for the fine structure, added by Sawai Ram Singh II and Sawai Madho Singh II.
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